I doubt any agent working out of her apartment in Minneapolis can help you much. She isn't in the business for her health. Once she signs you, she is going to spend a week or two talking up your script to all the development people she knows at the major production companies. If you're a client of even a B-ranked agency, your sole responsibility is to deliver her a clean copy of your script, or email her a digital copy.
There are also a few agents with primarily local practices in Montreal and Vancouver. Negotiate deals for her clients when they have succeeded at 1 or 2.
You can't send out thirty scripts all at once. How do you make contacts in the film industry from scratch. Agents only get income if their clients make money, so layers of staff mean their clients are working. She's the one who will give your script the most attention, because she is still building her client list.
If no one buys your screenplay, your agent will try to get it set up somewhere on an option deal. Then you can revise. What she is looking for is a well-crafted script with a great hook.
His assistant will pick up the phone. Some of you, I know, hesitate to give away your idea in a cover letter for fear of it being stolen. If you sell your script, you really shouldn't negotiate on your own behalf.
Let's say you've already sent one script out, and someone liked it, though he didn't buy it. Read my full post on how to write a professional query letter by clicking here. A not-so-successful agent might ask you to reimburse her for photocopies.
Agents only get income if their clients make money, so layers of staff mean their clients are working. Now you can write her a query letter that starts with, "Joe Thalberg at Wahoo Productions suggested I contact you.
There are currently agents at CAA. At an agency you know everything about everybody — even in the mailroom. The next one is June at the Hollywood Roosevelt Hotel, tel. So another way to find out to whom you should send your query is to ask for one of the top agents by name.
Get the WGA list of agents. Hopefully this will help you sound like a professional when the topic of agents comes up and perform well in meetings with these influential decision-makers. Then she waits for the phone to ring. A very not-so-successful agent might ask you to pay for postage.
That way you can choose the one you like best.
Call the WGA and ask who represents those writers. Now 10 years later her career is slowing down and she has absolutely no idea how to sell a script. What she is looking for is a well-crafted script with a great hook. Her agent is calling less and less. The agency's minions make copies, put on covers, and courier the scripts out.
Practically any time you run across a list of people in show business, if it's not in alphabetical order, then it is in strict order of who's got the most clout. Meanwhile, hot shot agents and managers switch companies at the drop of a hat, so it's best to contact the company first to make sure they have not moved.
Someone who runs seminars is probably making most of his money giving seminars. But you miss the personal elements, factual backstory, and real-world situations that are crucial to understanding agents and persuading them to represent you. There are online services that claim they will, for a substantial fee, read your script and, if they like it, pass it along to important people.
Many producers will not read a script that isn't sent in either by an agent or a lawyer. You can look for material success. So another way to find out to whom you should send your query is to ask for one of the top agents by name.
If you don't have a representative, they may give you release forms to sign, but they may also just refuse to read your script. How do you narrow your list to the most likely prospects?.
Phoenix Screenwriters Association Inc., (PSA) is a not-for-profit (c)3 organization, providing assistance and guidance to local screenwriters and filmmakers through educational and networking opportunities with the goal of supporting their careers into the film business through their development of industry-standard screenplays and films.
Literary Representation for Screenwriters Click here for a list of Literary Agents and Literary Managers for Film & Television. But please understand that securing representation for your writing is not as simple as calling up, sending an email or even mailing your script.
Screenwriting Agents. Unless you know a bankable director or star, the best person to put your script in the hands of someone who can buy it is an agent. Literary Agents & Managers for Screenwriters: Meanwhile, hot shot agents and managers switch companies at the drop of a hat, so it's best to contact the company first to make sure they have not moved.
Try to speak to a receptionist to confirm. Mesa, Arizona () Agents of any stripe are tough to catch, but if you want to get the best deal for your script, you'll need a script agent. Here's how you can reel one in.
US SCREENWRITING AGENTS (A-F) LEGEND (only applies to US agencies) [*] This agency indicated it will consider new writers. [**] This agency indicated it will consider writers ONLY as a result of references from persons.Scriptwriting agents arizona